Check out their stories, with links to Artists' websites below!

 

Friday 8/3/2012


MAIN STAGE Gates open at 4:30



"THE SOUTHERN HOSPITALITY TOUR" featuring

J.P. Soars, Damon Fowler and Victor Wainright --


Fiery South Florida guitarist J.P. Soars and his swinging band the Red Hots took first place in the 25th annual International Blues Challenge, held in Memphis in January 2009, beating out over 160 other contestants from around the world. Soars also individually won the event's Albert King Award, which established him as the best guitar player in the competition. They've recently released their own self-produced album, Back Of My Mind, which features plenty of Soars' incendiary fretwork on a mix of original tunes and inspired covers.


Born and raised in Brandon Florida just outside of Tampa, Damon Fowler first picked up the guitar at the age of 12. After being shown a few chords, it was apparent that he was a natural. While his friends were listening to the music flavor of the month, Damon was digging into the Blues, and was soon playing small clubs in and around the Tampa Bay area. Years later with thousands of shows behind him, you've got one of the most unique and seasoned acts on the national circuit. Damon has been invited to many major festivals, and has graced the stage with the best in the business. He has three successful CD's under his belt, and is currently working on a fourth. His playing, writing, and vocal ability has brought him many accolades. His latest include Creative Loafing magazines "Best Guitarist, Best Lap-Steel player, Best Do-Bro player, & Best Slide player", all rolled into one tight package. Damon has been touring the country since November 2004, and has built a dedicated fan base throughout. Current lineup is Damon on guitar and vocals, Chuck Riley on bass, and Scott Key on drums.  


Victor Wainwright is a raucous high-octane piano playing blues performer and crowd pleaser with soul to spare, Victor plays powerhouse blues, Memphis soul, and roots rock n' roll. A singer, pianist and self-described hepcat from Memphis, Tennessee by way of the Georgia coast, the "Piana' from Savannah" is making a name for himself in a big way. His combination of Power-house blues, Memphis soul, and roots rock’n’roll featuring the high-octane boogie piano and big soul sounds of this vocalist and blues man, Victor Wainwright is backed by one of the tightest smokin’ bands on the scene today.

 


Click any of the pictures above to be taken to these respective artists' websites.


Mitch Woods & His Rocket 88's--

Jump blues, rock-a-boogie, boogie-woogie - call it what you like, blues fans and piano lovers will Jump For Joy over Mitch Woods and His Rocket 88s. The San Francisco bluesman, long known for his showmanship and flair onstage, has finally realized a long-running dream; to get back to the jump blues sound of the great big-band Forties. Woods is no mere revivalist - his music appeals to blues lovers and rock and rollers as well as dance fans.

Lest anyone sneeringly suggest that Woods is trying to make good on the now-fading swing craze, rest assured that the feisty pianist scoffs at the notion, and with righteousness - years before yuppies discovered vintage duds and the Lindy Hop, Woods was doing his thing. "I consider myself mainly a jump blues player, but for years I would always have swing dancers come down to my show. We always swung," says Woods.


Anyway, what's in a name? Woods, ever-vigilant historian of the seminal Forties music scene, likes to point out that self-professed swingers have mislabeled themselves. "What people are calling the swing movement, it's really jump blues, and that's what we've been playing since we started, and that's why we fit in the swing movement. They call it swing, but it's jump. The best dance music is jump blues, period." Mitch Woods and His Rocket 88s have always borne the torch for this uniquely American blues musical heritage, not for two years but two decades. Taking their inspiration from the great jump n' boogie outfits of the late 40s and early 50s, they breathe fresh life into the music that gave birth to rock n' roll.


Click Picture above right for the Mitch Woods website



Lil' Ed & the Blues Imperials--

They blow down the walls. Dim the lights, turn up the stereo, and let the house party begin” —Guitar Player


“The world’s #1 houserocking blues band” —The Boston Globe


“Lil’ Ed And The Blues Imperials throw down old-style house-rocking shuffles, duck-walking struts and stomping rhythms as if marching down the tabletops at an all-night club…fearsome” —The Chicago Tribune


From smoking slide guitar boogies to raw-boned Chicago shuffles to the deepest slow blues, guitarist/vocalist/songwriter Lil’ Ed Williams is an awe-inspiring master bluesman. He and his blistering, road-tested band, The Blues Imperials—guitarist Mike Garrett, bassist James “Pookie” Young, drummer Kelly Littleton—are celebrating 20 amazing years together. Live, Lil’ Ed And The Blues Imperials simply can’t be beat as Ed breaks out the deepest back-bends, the highest toe-walks, and the most authentic electric slide-guitar blues being played today. Not since the heyday of Hound Dog Taylor & The HouseRockers has a Chicago blues band made such a consistently joyous, rollicking noise.


Lil’ Ed boasts a direct bloodline to blues history—his uncle and musical mentor was the great Chicago slide guitarist, songwriter and recording artist J.B. Hutto. According to The Chicago Tribune, “Williams represents one of the few remaining authentic links to the raucous, pure Chicago blues.” The Associated Press agrees, stating, “Williams fills Chicago’s biggest shoes with more life and heat than anyone on stage today.” Adding to the legend is Ed’s storybook rise, taking him from working in a car wash to entertaining thousands of fans all over the world. In 2006 he made multiple appearances on Late Night With Conan O’Brien (including a hilarious film with Lil’ Ed teaching Conan how to play the blues) culminating with Lil’ Ed on stage jamming with O’Brien in front of a television audience in the millions.

Click Picture above left for the Lil' Ed & the Blues Imperials website


Friday 8/3/2012


SECOND STAGE Gates open at 4:30



Club Phred-

Club Phred is a group of musicians who on average have over thirty years of professional experience. We all share a love of classic 60’s and 70’s music and have deep roots in the Delaware, Pennsylvania and New Jersey tri-state area. Club Phred formed in 2002 and has performed with the likes of Mark Farner, formerly Of Grand Funk Railroad and opened up for Pete Best the original drummer of The Beatles, The Marshall Tucker Band and Disney recording artist Sarah Buxton. Club Phred has won numerous awards from the Delaware media and has helped various charitable organizations in fund raising appearances since 2004.

Click Picture above left for the Club Phred website


Second Chance Blues Band--

Here are some excerpts from associated websites about the band...

"Second Chance Blues has performed for several First Night Wilmington (Delaware) events, innumerable club dates throughout the Mid-Atlantic area, outdoor concerts, and appeared on Philly's Studio 57 Video Broadcasts... The Second Chance Blues Band is good timin' blues, classic soul, and sizzlin original music. Soulful vocals, screaming electric & acoustic slide guitars, harp, great attitude, and plain ol' FUN! The band is continually playing the Tri-State area, so check them out!" - taken from Groove Track Records


"Second Chances Blues was conceived in founder Randy Barnett's basement. After a quarter century of playing in pointless cover bands he decided to retire and do something of personal interest - a return to the Blues, R&B, and Classic Soul that had always been his real passion.  He also wanted to try his hand at original material.  Having found several kindred spirits in his performing past, they set out to a recording studio with little hope of creating anything more than a disc to play for their respective families. As a lark, Randy presented their efforts to several local club owners to see if they could perform live. As luck would have it, Randy's retirement was postponed in favor of continued weekly bookings!  The moral of the story?  

"DO WHAT YOU LOVE – YOU'LL BE GLAD YOU DID!"  (quote from band founder, Randy Barnett)


Click Picture above right for the Second Chance Blues Band website


Friday's

Diamond State Blues Society AFTER-PARTY!

at a NEW VENUE for this event -- at the Sheraton Downtown's

Leading the festivities is


          

When blues forums toss your name around with the likes of harmonica masters like Little Walter and Sonny Boy...that has to mean something.


Of course, there will always be skeptics; but to the blues fans of the northeast United States, there is no doubt that at just 26 years old, Mikey Jr. is chasing the masters at a pace that’s frightening.


Growing up on the tough streets of Trenton, New Jersey, Mikey Jr. is a self-taught prodigy. With his impressive collection of vintage tapes, cd’s and videos, Mikey spent the better part of his youth immersing himself in the world of blues music. By the time he was twenty-one, he was already a road-tested player, making even ardent blues purists, take notice.


Since that time, Mikey Jr. has released an impressive four cd’s as well as a documentary DVD. He’s been praised by blues societies as well as players for his original take on ‘old school’ styles and his latest release, ‘Look Inside My Pocket’ is being hailed as a watershed effort by the blues community.


Mikey Jr. never set out to re-write the pages of blues history, but through his true love of the music and his undying dedication to the masters that came before him, it seems all but certain that Mikey Jr. will scribe his name in the annals of blues history - right along side the very masters that influence his every performance.


Mikey Jr. was contracted to host the late nite Crows Nest Blues Jams on the January Legendary Rhythm & Blues Cruise where he did an outstanding job keeping the music rockin' with some of the biggest names in the business.  He'll be doing the same for us at this year's Friday night After-Party for the Diamond State Blues Society.  And with a Main Stage crowd like Lil' Ed, J.P. Soars and Mitch Woods likely to drop by, it should be an incredible Blues Jam.  So, don't miss it!

Members $15 / Non-Members $20




MAIN STAGE Gates open at 11:00 am






Maria Muldaur--

Maria Muldaur is best known world wide for her '74 mega-hit "Midnight at the Oasis," which received several Grammy nominations, and enshrined her forever in the hearts of Baby Boomers everywhere; but despite her considerable Pop Music success, her 39-year career could best be described as a long and adventurous odyssey through the various forms of American Roots Music. During the folk revival of the early '60s, she began exploring and singing early Blues, Bluegrass, Appalachian "Old Timey" music, beginning her recording career in 1963 with the Even Dozen Jug Band and shortly thereafter, joining the very popular Jim Kweskin Jug Band, touring, and recording with them throughout the '60s.


In the 39 years since MIDNIGHT AT THE OASIS Maria has toured extensively worldwide, and has recorded 39 solo albums covering all kinds of American Roots music, including Gospel, R&B, Jazz and Big Band (not to mention several award-winning children's albums), before settling comfortably into her favorite idiom, the Blues, in recent years. Often joining forces with some of the top names in the business, Maria has recorded and produced on-average an album per year, several of which have been nominated for Grammy and other awards.


Her critically acclaimed 2001 release, RICHLAND WOMAN BLUES, was nominated for a Grammy and by the Blues Foundation as Best Traditional Blues Album of the Year, as was the follow up to that album, SWEET LOVIN' OL' SOUL. Her timely 2008 album, YES WE CAN!, featured songs from some of the most socially conscious songwriters of the past half century: Bob Dylan, Marvin Gaye, Allen Toussaint, Garth Brooks and others, and featured her "Women's Voices for Peace Choir," which included: Bonnie Raitt, Joan, Baez, Jane Fonda, Odetta, Phoebe Snow, Holly Near and others.


For her 2009 release, Maria revisited her original Jug Band roots, teaming up with John Sebastian, David Grisman and Dan Hicks. MARIA MULDAUR & HER GARDEN OF JOY was nominated for Best Traditional Blues Album of the Year by the Blues Foundation, and garnered Maria her 6th Grammy nomination as well.


In 2011, detouring from her ongoing exploration of vintage blues - for her latest release, STEADY LOVE, Maria returned to her much-beloved New Orleans (the place she calls her "musical and spiritual home") to record a contemporary electric blues album that reflects the kind of music she loves to perform live - what she calls "Bluesiana Music" - her own brand of New Orleans-flavored Blues, R& B and "swamp funk." STEADY LOVE reached the # 1 position on the Living Blues Radio Charts. Maria is currently nominated for a Koko Taylor Award - Best Traditional Female Blues Artist, in the Blues Foundation Music Awards. Maria continues to enjoy creative collaborations with some of the finest artists in her field, tours regularly world wide, and is available for festivals, concerts, club dates, workshops and residencies.


Click Picture above left for the Maria Muldaur website



KENNY NEAL and the Kenny Neal Family Band --

Kenny Neal is an acclaimed multi-instrumentalist and is widely renowned as a modern swamp-blues master. His new release, Hooked On Your Love, follows the triumph of his multi-award winning 2008 comeback album, Let Life Flow. An outstanding success, the CD raked in the accolades: three prestigious Album Of The Year awards, two Song of The Year awards for the title track, and Kenny himself garnered two Artist of the Year honors.


It was clear that Kenny touched something deep in the blues community with his soulful guitar playing and uplifting songwriting, and his hot streak continues with a batch of new songs. Hooked On Your Love covers the plethora of accomplished roots styles Kenny has become known for. The tasty musical gumbo of swamp-boogie, jazz, R&B, and straight-ahead blues all swirl together on this new CD.


Kenny Neal was born in 1957 in New Orleans and raised in Baton Rouge. He began playing music at a very young age, learning the basics from his father, singer and blues harmonica player, Raful Neal. Family friends like Lazy Lester, Buddy Guy and Slim Harpo also contributed to Kenny’s early musical education. In fact, it was Harpo who gave the crying three-year-old a harmonica to pacify him. Kenny stopped crying that day, and eventually learned to play the harmonica. Along the way, he also mastered the bass, trumpet, piano and guitar. At 13, he joined his father’s band and began paying his musical dues. Four years later, he was recruited and toured extensively as Buddy Guy’s bass player.


Following Buddy's advice to concentrate on his guitar playing, Kenny relocated to Toronto, and along with his brothers Raful, Jr., Noel, Larry and Ronnie - formed the Neal Brothers Band, honing his chops backing up visiting blues stars. Through the years, he has shared the stage or worked with a who’s-who list of blues and R&B greats at one time or another, including B.B. King, Bonnie Raitt, Muddy Waters, Aaron Neville, Buddy Guy and John Lee Hooker. Later, he fronted Canada's Downchild Blues Band, before returning to Baton Rouge to begin his solo career.


Signing with Alligator Records in 1988, Kenny began releasing a series of consistently lauded albums featuring his laid-back, Baton Rouge blues, with a modern spin on the Louisiana sound he grew up with. Throughout this period, Kenny distinguished himself as one of the brightest prospects of the contemporary blues scene, receiving great critical acclaim in the process. The Chicago Tribune pegged Kenny as “one of a mere handful of truly inventive young contemporary guitarists, Neal has something fresh to say and the chops with which to say it,” while AllMusic said his “gruff-before-their-time vocals retain their swamp sensibility, while assuming a bright contemporary feel that tabs him as a leading contender for future blues stardom.” Blues Revue agreed, calling Kenny "one of the brightest young stars on the blues horizon, and a gifted artist."


In 1991, Kenny branched out into the world of acting when he starred as the lead in the much-acclaimed musical, Mule Bone, a lost play written by the famed African-American poet Langston Hughes and folklorist Zora Neale Hurston in 1930. Featuring music written by Taj Mahal, Kenny’s performances garnered a prestigious Theater World Award for “The Most Outstanding New Talent On and Off Broadway,” and he concurrently set two Hughes poems to music on the album Walking With Fire.


After his impressive run with Alligator, Kenny switched to Telarc, and continued to release albums highlighting his developing skills as a songwriter, as well as interpreting songs from musicians as diverse as Bob Dylan, John Hiatt, and Nick Lowe. His 2004 release with Billy Branch, Double Take, garnered Kenny a W.C. Handy award for Best Album. More recently, Kenny released A Tribute to Slim Harpo and Raful Neal, which pays homage to blues harp icon Harpo as well as Kenny’s father, who passed away as the album was being completed.


After relocating to the Bay Area in 2004, Kenny began hosting his own local cable TV program, “Neal’s Place.” The show features Kenny jamming and talking with the many international blues stars he has met and performed with, as well as local artists he has spotted at festivals and clubs. Filmed in front of a live studio audience, “Neal’s Place” has a relaxed, informal atmosphere that brings out the best in the artists, while giving an unscripted, improvisational edge to the performances.


In 2005, health problems forced Kenny to completely stop performing and recording for a few years. And, within an eleven month span during this recovery period, Neal lost his dad, sister, and brother. In the best blues tradition, Neal took the tragedies, adversity and heartbreak of those years and turned them into great songs and performances.


Writing, playing, and singing with a renewed sense of purpose and energy, he used the time to craft an inspired collection of songs that make up Let Life Flow. Released in 2008, the CD met with immediate critical success. Vintage Guitar said, “Kenny Neal’s new release is full of blues and soul music of the highest standard. While Neal’s always been one of his generation’s finest bluesmen, Let Life Flow helps push him into the upper echelon of the genre. His maturity, mastery of the music, and sheer determination show it, making this one of 2008’s best.”


Living Blues magazine added, “His latest effort is a resounding affirmation of his talents as a musician, songwriter, and singer,” while About.com offered that “Kenny Neal’s Let Life Flow album should be considered a masterpiece.”

The critical acclaim and passel of awards that followed are testament to not only the album’s soulful grooves, but also to the deep, emotional resonance in Kenny’s perseverance in face of life’s trials.


Kenny was able to return to the scene and the stage with a new vigor and outlook on life. With these, he entered the studio to whip up the good time gumbo of Hooked On Your Love.


The new album casts that potent Neal spell of deep grooves and deep feelings that put him where he is today. With tunes like swampy Louisiana look-back “Down In The Swamp,” the funky shuffle of Memphis in his take on “Blind Crippled Or Crazy,” or the soul searching blues of “Bitter With The Sweet,” Hooked On Your Love extends the spirit of his acclaimed Let Life Flow.


Take a listen at the Riverfront Blues Festival and prepare to be hooked.

 


THE NEAL FAMILY


Raful (Dad)

June 6,1936 - September 1, 2004

Described by reviewers as warm, animated, stylish, precise and economical, the blues music on "Old Friends" mirrors the artist

himself, a native of South Louisiana and a second generation blues player who listened to the greats and carved out his own unique style. A posthumous Slim Harpo Tribute album was Released on True Life Entertainment.

Jackie Neal (Sister) – "Jazzy" Jackie Neal

July 7, 1967 – March 10, 2005

Jackie was a Southern Soul/Blues singer who was very popular in Lousiana, Mississippi, Alabama and all surrounding Southern states. Prior to her very untimely death, she had completed four albums: The Blues Won't Let You Go (1995), Lookin For a Sweet Thang (2000), Money Can't Buy Me Love (2002) and Down In Da Club (2005). Flamboyant and full of life, Jackie was a crowdpleaser like no other and she is greatly missed by family and fans alike.

Tyree Neal (Nephew)-From the early age of 3 (three), Tyree Neal has been drawn to and performing on stage. Tyree has continued the Neal legacy as a guitarist, singer, keyboardist and although he comes from a blues family, Tyree is also a writer, producer and performer in the hip-hop and r&b genre. His most rewarding experiences were his years as Musical Director, Lead Guitarist and Vocalist for the Jackie Neal Band. His newly released CD, Steppin Out at 22 (Jazzy Records) contains songs dedicated to Jackie, his Mother Charlene and his Grandmother Shirley. The making of the CD a family affair featuring Bro Bro (Jackie's middle son), Syreeta, adopted brother Panther and Kenny Neal, Jr. doing most of the the drums and bass parts. With today's technology, even Aunt Jackie can be heard on the album.

Kenny Neal, Jr.- (Son) After backing up countless artists for the past decade both on stage and in the studio, producer/composer/ musician/multi-instrumentalist Kenny "Bounce" Neal Jr. has released his own debut album, The Best of Bounce. The album features special appearances by members of the Neal Family. Kenny has a strong reputation for adapting to many styles of music using a number of different instruments. The album features collaborations with Kenny Neal Sr., Tyree Neal, Syreeta Neal, Bro Bro (Jackie Neal's middle son), as well as many other well known Canadian rappers and vocalists.

Raful "Lil Ray" Neal (Brother)- Greatly respected blues and jazz guitarist. Currently leading his own band around Louisiana when not working with Bobby "Blue" Bland or his dad. In the past has worked with Little Milton and Bobby Rush. Father of Joshua and Trellis.

Frederick (Brother) -

Fredrick Neal Has been Kenny's regular keyboard player since he was in his teens. A good singer, he sounds a bit like his dad. Fredrick is the proud owner of the convertible Cadillac from the movie Crossroads, which he bought from Little Milton.

Darnell Neal (Brother) – Has been bass player with brother Kenny's band since his teens. Also worked some with Baton Rouge flash-in-the-pan Troy Turner.

Noel Neal (Brother)- Moved to Chicago and stayed there to play bass with James Cotton in his regular band for many years. Has also worked with Buddy Guy and Junior Wells, Johnny Winter, Koko Taylor, Lucky Peterson, Lonnie Brooks and other mainstays of the Second City scene. He can be heard playing with various artists, both live and in the studio; lately Larry McCray and Sherman Robertson have been using Noel.

Ronnie Neal (Brother)

May 2, 1961 - April 2004

Strong percussionist. It can be noted that he was a strong singer with a unique voice and had done several recordings including "shattered by a whisper", a duet with Jackie.

 Larry Neal (Brother)

Plays drums with Kenny around South Louisiana. Also works with his dad some as both drummer and harmonica/front man. Some consider him the equal of his father and Kenny in stage presence.

Graylon Neal Hoffman(Brother)

Respected and rocking drummer who has played on

Kenny's albums, toured with Fenton Robinson and

worked with many of the great local Baton Rouge

Acts.

Charlene & Darlene Neal(Sisters)

Identical twins who occasionally sing and dance with

the family. Charlene is mother of Tyree.


Syreeta Neal - (Daughter) Syreeta began studying jazz and classical music at the age of 11 but her most influential "classrooms" were those of her musical family in Baton Rouge, Louisiana. She is a singer/songwriter/guitarist and has a voice that has been described as powerful, pure and honest. Syreeta's debut album is entitled Stand Tall.

Click above right for the Kenny Neal website

SECOND STAGE Gates open at 11:00 a.m.


                  Saturday 8/4/2012

SideStage

Saturday 8/4/2012



Alicia Maxwell & the Diamond Dawgs -

The Diamond Dawgz are:

Alicia Maxwell - Alicia has been singing the blues since she was old enough to talk. Alicia has sung the blues on stages throughout the Delaware and Maryland area and is a prolific songwriter and has her own self-produced CD. Alicia has also appeared on CDs by several local blues artists.


Kenny Jones - Kenny is a master of the guitar, singer, songwriter and producer. Th...ere is not a genre of music that Kenny has not mastered. Kenny brings his mastery of the blues to The Diamond Dawgz and will produce the group's first CD. During Kenny's long musical career, he has played many legends, including Bill Haley's Comets, "Jumpin'" Johnny Sansone and Johnny Neel.

Colleen Farrell- Colleen brings the New Orleans brass and wind sounds to the Diamond Dawgz. Colleen has played sax and clarinet with many local groups.

\

Norm Dorrell - You can't have a New Orleans sound without the jazz rythms, and Norm brings that to the Diamond Dawgz mix. Norm plays drums and percussion. Norm has played with the acclaimed Delaware area jazz group Kombu Combo and has also played with "Jumpin'" Johnny Sansone.


Jerry Peet - Jerry is the bass player for the Diamond Dawgz. Jerry has been laying down the beat for many bands throughout the years.


Tom Lowry- Tom rounds out the band with his keyboard and harmonica playing abilities. Look for Tom to bring a bit of the Cajun sound to The Diamond Dawgz via the accordion.


Alicia Maxwell and The Diamond Dawgz are a local blues "supergroup". The members of this band bring together many years of musical genius together to create infectious New Orleans inflected blues to a local audience.


Click Picture above left for the Alicia Maxwell website


Gary Allegretto-

"Gary Allegretto is one of the finest harp players you'll hear" and "one of the classiest acts in the music business today, working only with the best backup musicians and taking the time to craft music noted not only for its quality but for its authenticity… real Blues.”

          ~Robert Fontenot, Blues Revue Magazine


"This is honest music crafted from inspiration, talent, and skills, delivered at a high level of accomplishment.”  ~Bob Margolin, Renowned Bluesman from Muddy Waters Band


“... Allegretto sings with a natural storytelling appeal that’s easy to understand. His harmonica gives the program a zest that ensures magnetic forces. One listen and you’re under his spell.  One listen and his audience is sold on pure blues with a message that comes from the heart."   ~Jim Santella, Southland Blues Magazine


"That boy can really blow that harp!"   ~The Legendary Pinetop Perkins

 


A down-to-earth guy with lifelong wanderlust and more than a few stories to tell, Gary Allegretto’s resume reads like a men's adventure wish-list: back-country forest ranger, forest firefighter on a "Hotshot" crew, LA city firefighter, "bouncer” in a couple rough honky-tonks and a Blues bar, cowboy and ranch hand, beach lifeguard, white-water rafting guide… and traveling Bluesman. He's a summa cum laude college graduate whose university recognizes him as an "Alumni of Distinction". He’s also the founding director of Harmonikids, an organization that gives music therapy with harmonicas to special needs kids worldwide. Through it all, Gary can barely remember a time when Blues weren't a powerful part of his life, and playing harmonica wasn't as natural as his own voice. He started playing upon receiving his first harp at age 5 from his woodsman grandfather. Soon after, while attending a cultural festival he carelessly wandered away from his family following an irresistible sound ... a Big Walter Horton performance. As the loudspeakers blared something about a lost child, he knew he’d found his calling… and he followed. 


Down the road, Allegretto's performances have captivated audiences from the stages of venues and festivals worldwide and his recordings have received multiple Grammy Award nomination considerations. His music has topped the Blues and Roots radio charts internationally. He is the 2011 recipient of the Blues Foundation's prestigious "Keeping the Blues Alive" award. He's been praised in the pages of prominent Blues press including Blues Revue, Blueswax, Living Blues, Big City Blues, Blues Matters, and more. Critics have called his musicianship "world class", "masterful", 'jaw-dropping", and "exemplary". His songs can be found on film and television productions including the soundtracks of Johnny Depp's film "Rum Diary" and the national PBS television program "Roadtrip Nation". Gary is prominently featured in the KBA award winning harmonica documentary film "Pocket Full Of Soul". He has performed nationally & internationally both backed by his all-star electric band and/or acoustically. His performances never fail to catch the intrigue of his audiences, often including prominent musicians and occasional celebrities.



"Gary recieved this year's

2011 Blues Foundation

'Keeping the Blues Alive'

award for education and

was as deserving as any recipient

in history. His efforts in music

education are second to none..."  

~American Blues News


Click Picture above left for the Gary Allegretto website


Saturday's

Diamond State Blues Society AFTER-PARTY!

at a NEW VENUE for this event -- at the Sheraton Downtown's

Leading the festivities and the Riverfront Artists' Jam is


Members $15 / Non-Members $20











2012 Riverfront Blues Festival Artists:

CLICK the LINK to the right be taken to the Official City of Wilmington Riverfront Blues Festival website: RBFHome  

DSBS Home







Blue Cat Blues Band--

Members:

Paul "BIG CAT" Ruggiero - Guitar/Vocals /// Andrew "The Professor" Vincent - Harmonica/Vocals /// Todd "The Hotshot" Whitaker - Bass /// Chris "The Heavy Hitter" Sherlock on Drums

Influences:

Tommy Castro, Freddy King, SRV, George Thorogood, Popa Chubby, Jimmy Reed, Fabulous Thunderbird's, Chuck Berry, Jimmy Thackery



      Click Picture above left for Blue Cat Blues' website

Sounds Like:

A JUKE JOINT BLUES PARTY.

Blue Cat Blues is a hard rocking 4 piece blues band who play a high energy blend of fresh blues covers and originals.

So if you and your crew are craving some hard rocking, foot stomping, hip shaking, earth-quaking entertainment, give an ear to Blue Cat Blues. You'll be glad you did!


Albert Castiglia--

Albert Castiglia (pronounced “ka-STEEL-ya”)  is Keepin On – and much more.   With the release of Castiglia’s  5th CD Keepin On, August 2010 on Blues Leaf Records  (his third CD on this label), Albert is doing exactly what the title of the CD suggests.   Having opened for ZZ Top, Elvin Bishop, and The Radiators, he’s quickly becoming a favorite high energy performer at shows across the country.  


Castiglia’s history is as colorful as his home town of Miami, Florida,  going back to 1990 when he played in a local Miami Band, The Miami Blues Authority, and won awards locally for “Best Blues Guitarist.”   He got a big break after meeting the legendary Junior Wells in 1996, and soon became Junior’s lead guitar player before Wells died in 1998.   Albert toured the U.S. and Europe with Junior and then found himself in Chicago when Junior passed.  Soon though, he was touring again with Sandra Hall.  


He returned to South Florida after deciding to launch his solo career and went to work on his first CD, Burn (2002), a self-release, collaborating with his long time friend, Graham Wood Drout of Iko-Iko. Drout’s visceral, yet literary songs became the perfect vehicle for Castiglia’s soulful vocals.   In 2006, he released A Stone’s Throw, his second album and first release for Blues Leaf Records, which included two of Drout’s insightful songs, “Big Toe” and “Ghosts of Mississippi.” Castiglia and Drout also released a live CD together, titled The Bittersweet Sessions, in 2005.


His 2008 CD, These are the Days (Blues Leaf Records), contained five original Albert Castiglia songs, including a tribute to his mentor Junior Wells, “Godfather of the Blues.”  The cover songs from These are the Days paid tribute to a wide range of styles and artists from Bob Dylan, Nappy Brown and Fenton Robinson. These are the Days earned him a Blues Music Award nomination for “Song of the Year” for his original, “Bad Year Blues.”  Castiglia was nominated again by the Illinois Blues Blast Awards and this time walked away a winner for “Song of the Year” for “Bad Year Blues,” as well as being nominated for the “Sean Costello Rising Star Award.”   


Most of his new CD release, Keepin On, was recorded live with very few overdubs. He enlisted five session musicians to help on the project, including harmonica master Sandy Mack, who played on “I Could Not Ask for More,” a Peter Green song.  Mack had played on “Ghosts of Mississippi,” a track from Albert’s A Stones Throw album in 2006. According to Castiglia, “He kicked butt then and he picked up where left off on this session. ”Keepin On features five new original tunes, plus other covers by John Lee Hooker, Mack Rice, T-Bone Walker, Robert Nighthawk and Bob Dylan.


Albert wooed a very appreciative Diamond State Blues Society audience when he opened for the recently deceased Michael "Iron Man" Burks at DSBS' "15th Annual House Rockin' Party" in March.  He's sure to do the same for Riverfront Blues fans when he takes the stage on August 4th.  BE THERE!


Click Picture above right for the Albert Castiglia website



Zac Harmon--

Born and raised in the heart of Jackson, Mississippi, Zac Harmon is a true disciple of the music that emanated from the city’s historic Farish Street district, universally recognized as the home of such great blues legends like the late, great Elmore James.


While in high school and college, Harmon gigged as a guitarist for the likes of Z.Z. Hill, Dorothy Moore and Sam Myers. Relocating to L.A. in the early eighties, he worked as a studio musician and then established himself as a writer and producer, crafting songs for the likes of the O’Jays, Whispers, Karyn White, Alexander O'Neal and Black Uhuru.


Composing and performing music for a movie score, Harmon was compelled to pursue his longtime dream to return to his roots and record his first Blues project. The result was 2002’s Live at Babe & Ricky's Inn, an electrifying testimony to Mississippi Blues, which showcased the sound at its best and introduced Harmon as a true torchbearer for the “next generation of the Blues”. In 2004, with his then band, the Mid South Blues Revue, he won the Blues Foundation’s prestigious International Blues Challenge (IBC) title of “Best Unsigned Band".


That release was followed by The Blues According To Zacariah, which garnered major national airplay, including XM, Sirius and the American Blues Network. XM listeners voted Harmon “Best New Blues Artist” in the inaugural XM Nation Awards in 2005. In 2006, Harmon won the Blues Music Award for “Best New Artist Debut” for The Blues According to Zacariah. Later that year, he was featured in Blues Revue magazine, as one of the 10 artists that “…represent the future of the blues”.


2007 saw Harmon named to the Blues Foundation’s Board of Directors and entering into an endorsement deal with Category 5 Amplification. In 2008, he released Shot in the Kill Zone in Europe, recorded live at the Lionel Hampton Room in Paris. He then signed with the Northern Blues label for his third and much-anticipated U.S. album, From the Root that was released April 2009.


Harmon also marked his acting debut in ’09 with a major role in the independent feature film Black and Blue, which is to be released in 2010. Also, in 2009, he was honored for his career achievements in his beloved hometown at the Jackson Music Awards and weeks later in Nashville, the Jus’ Blues Music Foundation bestowed the “Little Milton” Guitar Award for “Outstanding Guitar Player” upon him.


Zac Harmon entertained U.S. troops in Iraq and Kuwait in 2008 as one the stars of Bluzapalooza and while headlining “The Pizza & Pyramid Tour” of Sicily, Italy and Cairo, Egypt in late 2009, Harmon and company made history with a rare performance at site of the Great Pyramid and the Sphinx, making the ensemble only the second Blues act to do so; Louis Armstrong being the first.


More recently, Zac was featured performer for the 2010 “Mississippi Celebrates its GRAMMY® Legacy” celebration, hosted by Mississippi Governor Haley Barbour, where he was presented with a Peavey Award by Peavey Electronics founder and CEO Hartley D. Peavey. The Peavey Award honors the state's many GRAMMY® winners and nominees as well as individuals who have played a significant role in developing and furthering Mississippi's musical heritage.


Zac Harmon continues to tour internationally as an ambassador for the Blues.



Click Picture above left for the Zac Harmon website



Chris Cain--

What we have here is the next best thing to B..B. .King and Albert King and he's right here in our own backyard. This is the sixth CD by this San Jose based artist and with it and the work he's recently done with compadre's , he seems to have gained confidence that translates to this CD.


This CD is full of influence and references as diverse as B..B. King and Wes Montgomery. His growls and groans vocally through the disc, are smooth and soulful and reminiscent of his influences, mostly B.B. King. Never once does he shout, or demonstrate a raw exuberance, of say a Sam Moore or Otis Redding. It's always mellow and smooth with a deep throaty resonance. As for his guitar, he demonstrates why many feel he's the best blues guitarist on the West Coast. Obvious influences are again B. B. King, Albert King and Albert Collins.


On this disc he has the assistance of long time collaborator and fellow blues traveler, Patrick Ford, for whom he provided assistance on his last effort. Now Patrick has returned the favor with his drumming and production.


Chris presents a seamless and sophisticated set of contemporary guitar based blues on this disc. It even references many others, while at the same time maintaining his own integrity and style. Most often B.B. King comes to mind while he plays, but then Chris will trail off into a Wes Montgomery or Albert King styled riff that gives a whole new dimension to a song.


Speaking of personal asides, catch his tribute to the late Albert King on "World Got The Blues At Sunrise". It uses the mentors style without copying it. This cut, as a matter of fact, seems to be this albums soul center, all else revolves around this second cut. From this jumping off point he demonstrates his mastery over a plethora of blues styles that incorporate jazzy nightclub feels to raunchy after-hours raves.


This is an album and artist in the blues idiom definitely on the upswing.

- by Brian Augustine, Sierra Blues Society


Q. What moment in your life brought about your pursuit of music?

A. Seeing BB King and the rest of the guys we would go see at the Civic Auditorium. Going through my parents albums also was key. My mother was eclectic but most of out albums were blues. BB, Ray Charles and Charles Brown were the big three, with Sonny Boy and Muddy also. When My dad cut the lawn he'd move p.a. speakers out doors and crank Muddy at 12 while doing yard work. (Chuckle)...


Q. When did you start playing guitar?

A. My dad showed me "Baby, Please Don't Go" in the key of E. Then I got records and started copying. My dad had a guitar. He plays a little bit. A little piano, too. Both my parents had tons of records. I got to hear Muddy, Sonny Boy, Leadbelly, Bobby "Blue" Bland, Elmore James, lots of that kind of stuff. We never missed B.B. [King] or Ray Charles when they came to town—we would always be there. Johnny Otis, too. *


Q. Your first album took the blues community by surprise, describe that.

A. I borrowed some money to make it so I could get some gigs around town. I figured that if it were an album instead of a tape, club owners might not throw it away, like they sometimes do tapes. A cat threw some money at me, and a friend layed a fourtrack Fostex on me. I had only three tune. The fostex was a Godsend. With that I was able to write the rest of the tunes and it was great. People dug it. The next thing the band was in Belgium. I was just hoping to get a gig at J.J.'s


Q. What happened with singing? Where did that voice come from?

A. It just came out. I had some cold ones, and I got real comfortable, and this big old noise came out of me. I was listening to Jimmy Witherspoon and Joe Turner and B.B. I didn't really develop it—it just came out. I just went with it. People say, "I don't really expect that kind of sound to come out of you." I kind of like that, too. That's been a good thing. *


Click Picture above right for the Chris Cain website



The Billy Pierce Band -

This is a relatively new local blues band headed up by guitarist Billy Pierce, an extraordinary slide guitar player who has been most often seen as a member of Garry Cogdell's Complainers Blues band.


The Billy Pierce Band is a three piece "power" blues ensemble with deep links to the Louisiana music tradition.  They grace the Riverfront Blues Festival stage for the first time this year, but have appeared multiple times for very appreciative Diamond State Blues Society audiences.  They are sure to explode the Second Stage this year and have the Beer Garden crowd on their feet with their electric slide, power blues offerings.


Click Picture above left for the Billy Pierce Band website



Johnny Never & the Solar Pimps -

Johnny Never and the Solar Pimps pay Homage to Blind Boy Fuller, Son House, Robert Johnson and the vast array of characters that emerged out of the deep south about a century ago and gave birth to The Blues.


JN and the SP have opened for such national acts as Guy Davis and have played in venues and festivals from Washington DC to New York.


Performing traditional and original tunes they deliver an authentic  Delta sound featuring dazzling finger-style guitar picking, impressive instrumentals by jazz bassist Alan Lewine and haunting blues harp.   Johnny Never and the Solar Pimps have the heart and soul of the old southern blues and contemporary appeal of an all acoustic sound that strikes listeners as both unique and familiar and always entertaining!


"...one one of the best new bands I've discovered in a long time,  Johnny Never is the real deal!! Delta and Piedmont blues rarely heard this far north! A rare treat.”  - Dave Strickler – Baltimore Blues Socie


"....Johnny Never and The Solar Pimps could drive into a groove and play all night. Forget jam bands like Phish; the bluesmen were the original jam bands. The talent and authenticity of Never transported the audience to another time. When the show was over, it was 2011 again but the past was still ringing in our ears.” -  Newtown Dispatch


Whether you are a blues aficionado, a lover of folk and country, or crave a singer/songwriter feel that has soul and drive,  Johnny Never and the Solar Pimps are sure to please.


Click Picture above right for the Johnny Never website      



lower case blues -

Lower Case Blues is a power trio originating from Newark, Delaware. The band features Jake Banaszak (lead guitar), B.J. Muntz (bass and vocals), and Rick Webster (drums). Since the Band started in '03, they have established themselves as sone of the region's finest blues bands.. They're taking blues to a whole new level and earning respect as being some of the best up and coming musicians in the Delaware Valley.


Lower Case Blues has many influences ranging from blues greats like Buddy Guy, Tinsley Ellis, SRV, Albert Collins, Big Joe Turner, and Muddy Waters to others such as Bootsy Collins, The Allman Bros., Jimi Hendrix, ZZ Top and Victor Wooten. LCB focuses on playing original music with a reasonable amount of covers thrown into the mix to pay tribute to there inspirations. The band always plays with feeling and improvisation… you’ll never hear a song played the same way twice.


Some of LCB’s accomplishments include:

-Was selected "Best Band in Delaware in 2009" ... Delaware Today Magazine

-Opened for acts such as Buddy Guy, Kenny Wayne Shepherd, .38 Special, John Corbett, Michael Burks, The Junco Pardners, Los Lonely Boys, Jakob Dylan, and Robert Randolph..

-Backed up funk guitar great - Leo Nocentelli (The Meters) @ Dogfish Head Brewery in 2010

-Competed in the International Blues Challenge in Memphis, TN in 2008 as representatives of the Diamond State Blues Society.

-Was voted Best Blues Band in Delaware by Out ‘n’ About Magazine.

-Won award for Best Americana Band in April 2007 at the Delaware Music Festival.

-Won “Battle of the Blues” for local radio station 98.5 Big Classic Rock.

-Recorded and performed with producer and keyboardist Johnny Neel (formerly of the Allman Bros.)


Click Picture above left for the lower case blues website






                                                  The current lineup for The Nighthawks is:

Mark Wenner: Vocals, Harmonica

Johnny Castle: Vocals, Bass

Paul Bell: Guitar

Mark Stutso: Drums, Vocals


A Team of Veteran Players

The current members bring decades of varied experience to the stage and studio. Paul Bell has played in many influential bands around the Nation’s Capital and is the consummate D.C. guitarist, capable of soul scratching or country picking. Paul was less familiar with the classic Robert Lockwood/Louis Myers styles of Chicago blues playing than some of his predecessors, but it didn’t take long for him to add those to his bag of tricks. When he plays a slow blues solo, you can hear a little of late D.C. picker Roy Buchanan, but without the tortured hysterics. Paul spent 10 years working with legendary blue-eyed soul man and keyboardist Tommy Lepson, who subbed for Mark Wenner on a number of dates this year while Mark recovered from open-heart surgery.


Johnny Castle started his D.C. career with Crank, popular early hard-rockers who opened for Jimi Hendrix. He spent journeyman time with Eddie and Martha Adcock in the heyday of D.C. Bluegrass, mixing comfortably with legends such as Bill Monroe and Ralph Stanley at festivals. After a stint with funk in an outfit called Spatz, he came through Tex Rabinowitz's Bad Boys at the height of the Rockabilly revival, splitting off to form the psycho-billy band Switchblade. In 1984, Mark Wenner developed a repertoire of material with Switchblade and together they recorded Mark’s Fugitive – a project that mixed hard rocking country classics with electric blues instrumentation (think Kentucky Headhunters). Live versions of some of those tunes can be heard on Mark's compilation, Runs Good, Needs Paint. Before joining the Nighthawks, Johnny spent a decade recording and touring with diesel-billy legend Bill Kirchen.


Mark Stutso spent nearly two decades with former Nighthawk Jimmy Thackery. Before that he played in a number of big and small-time rock bands, including Ruffryder – a spin-off of Black Oak Arkansas – and Virginia Beach-based Trix. Originally from deep in West Virginia and Southwest Virginia, Mark put in five years in the coal mines before escaping into his drum kit. He lives in Pittsburgh and has collaborated with the late Glenn Pavone and Norman Nardini. His vocals are a force to be reckoned with.


Blues Music Award

In 2009, Sirius XM’s Bill Wax, having heard that The Nighthawks were playing some acoustic shows, invited the band to record some live tracks for his “B.B. King’s Bluesville” channel. In less than two hours, the band cut almost a dozen tunes. A week later, Bill handed them a mixed version with permission to release. After Bill Wolf's magic-touch in the mastering, Last Train to Bluesville was released on RipBang Records. With the able assistance of publicist Mark Pucci and radio promoter Todd Glazer, the CD won Acoustic Album of the Year at the Blues Foundation’s Blues Music Awards in Memphis in May 2011.


Click Picture above for the Nighthawks website


Sunday 8/5/2012


MAIN STAGE Gates open at 11:30 am



Royal Southern Brotherhood featuring Mike Zito, Charlie Wooten, Cyril Neville,  Devon Allman & Yonrico Scott  

Royal Southern Brotherhood unites two legendary roots-rock bloodlines along with a rising star guitarist and an in-the-pocket rhythm section for one of the most highly anticipated albums of the past decade. What started out as a rumor and a few informal local gigs at various New Orleans venues has developed into a full-fledged powerhouse of soulful sound that’s rockin,’ funky and all-together groove-a-licious. Incubated in the heat and humidity of a New Orleans summer in 2010, Cyril, Devon and Mike crossed paths and set in motion the beginnings of what would become Royal Southern Brotherhood, beginning with jams held at a secluded studio in the city’s Garden District. When the musical sparks began to fly and the personal chemistry coalesced, the trio began to explore the real idea of forming a band to bring this new music to life. Their debut show last September at the city’s Rock ‘n’ Bowl tore the roof off the place and launched a horde of YouTube videos that burned across the internet.


Royal Southern Brotherhood has it all: incendiary playing with the twin lead guitars of Allman and Zito, coupled with Neville’s funky percussion work and the rhythm section of Wooton and Yonrico Scott that literally kicks ass; lead vocals and three-part harmonies that drip with soul and passion; and a boatload of songs that deliver on the promise of what the band brings to the table with its musical chops.


Cyril Neville is a part of the first family of New Orleans roots and funk. Beginning in the 1970s, Neville soared both as a solo performer and as a member in a host of other groups, most notably the iconic band, The Meters. Cyril went on to add his percussion and vocals to such classic Meters albums as Cabbage Alley (1972) and Fire on the Bayou (1975) and joined the group when they were personally invited by Mick Jagger to open the Rolling Stones stadium tour of 1975. Also included in his long resume is work with another legend, The Neville Brothers, as well as with Bob Dylan, Bono, Willie Nelson, Galactic and his own band, Tribe 13.


Although Devon Allman grew up in St. Louis apart from his father, one listen to his smoky vocals demonstrates that apple didn’t fall far from the tree. Coupled with a guitar style that would have made his uncle Duane proud, Devon set out to create his own place in the music world, forming the band Honeytribe in 1999 and touring all over the world. His blues-rock style of guitar work and soulful singing clearly stamped him as an emerging light within the blues-rock realm. He’s had a Top 10 hit in Spain with Javier Vargas, recorded on albums with the legendary Jack Bruce and jammed with musical heavyweights Les Paul and Bill Gibbons. And he’s even been known to show up onstage with that group his daddy still leads after over 40 years, The Allman Brothers Band.


Former St. Louis native Mike Zito has been a rising star in blues for the past several years, both as a performer and a producer. He’s already picked up some hardware within the blues world, having won the Blues Music Award in 2010 as “Song of the Year” for the title track of Pearl River, which he co-wrote with Cyril Neville. Mike’s currently nominated for another BMA, this time as “Rock Blues Album” for his latest CD, Greyhound. With Zito having been a former St. Louis touring circuit contemporary of Devon Allman, the meeting of the two in the RSB was destined as an organic serendipity.


Forming the rock-solid foundation of the band and stirring up the musical gumbo sound of Royal Southern Brotherhood are bassist Charlie Wooton and drummer Yonrico Scott, both with ties to Atlanta (Wooton now lives in New Orleans). Before relocating to the Crescent City, Wooton’s snaky bass lines were a mainstay of the Atlanta club circuit, playing with his own band, as well as Zydefunk and jamming with the Wood Brothers. Yonrico Scott’s drumming was a featured part with his long-time membership in The Derek Trucks Band. He’s also played with a host of others including the Col. Bruce Hampton and Ike Stubblefield aggregations and jammed onstage with Gregg Allman, Bonnie Bramlett and The Allman Brothers Band.


Click Picture above right for the Royal Southern Brotherhood website



The Brooks Family Blues Dynasty

featuring Lonnie Brooks, Ronnie Brooks & Wayne Baker Brooks--


Lonnie Brooks

has been writing, recording and touring for nearly six decades. He

learned to play in his native Louisiana, and then on his journey north he

cut a string of Gulf Coast hits including “Family Rules,’’ “The Crawl,’’

and “Roll, Roll, Roll.’’ Once he landed in Chicago, his home for more

than 50 years, he hooked up with Alligator Records and released

“Two Headed Man,’’ which quickly became famous for the “Voodoo

Blues’’ sound that is now his trademark. Even more ground-breaking

of his 15 total recordsis his Grammy-nominated album “Bayou

Lightning.’’ He’s appeared on television shows ranging from “Hee

Haw’’ to “The Late Show with David Letterman.’’ And he’s been on

the silver screen, most recently in “The Express’’ starring Dennis

Quaid and also in “Blues Brothers 2000’’ with Dan Aykroyd and John Goodman. But he is perhaps best known for his showmanship at his live shows, at one-time playing upwards of 300 dates a year at everywhere from the San Francisco Blues Fest to the Montreux Jazz Festival to Holland’s the North Sea Jazz Fest. He’s been Eric Clapton’s onstage guest at Buddy

Guy’s Legends club in Chicago and will play for tens of thousandsas the headliner – his fifth time --

at the Chicago Blues Fest this June.

 


Ronnie Baker Brooks

first picked up a guitar as a toddler, played on stage at the

age of 9, and joined his dad’s band right out of high school.

So when he released his debut album, “Golddigger,’’ in 1998,

much of the blues world was already familiar with his immense

talents. But Golddigger showed he was a force on his own,

earning a WC Handy Award nomination for Best New Blues

Artist. He hasn’t looked back, and now the Ronnie Baker

Brooks Blues band headlines shows around the country and

world. After his third release, “The Torch,’’ Ronnie noted how

he is moving blues into the future. “I grew up among the best of the best,’’ Ronnie says. “Every time I

play, I feel like I’ve got to do it with the authenticity and passion that I saw in guys like Buddy Guy,

Muddy Waters, B.B. King and my father.  But I also have to put my twist on it. None of those guys

repeated what came before them.’’ Brooks’ twist involves enlivening blues-rock with deep soul and

funk rhythms. Working with Minneapolis producer Jellybean Johnson, a veteran collaborator of

Prince and Janet Jackson, Brooks takes roots sounds and transforms them into something that

spans the ages.

 


Wayne Baker Brooks

latest single release is “Something’s Going Down,”

featuring two-time platinum selling artist Twista, GLC

and Blues legend Sugar Blue. The genre-busting track combines heavy Chicago Blues, Rock, Soul and Rap/

Hip-Hop. Wayne has been blazing trails since the release

in 2004 of the top-rated album, “Mystery,’’ which received five awards from Real Blues magazine, a four-star review in

the All Music Guide and many other accolades. He has headlined clubs and festivals worldwide and

also hosted All-Star Blues Bash concerts featuring some of the biggest names in the business,

including Pinetop Perkins, Elvin Bishop, Big Head Todd, Shannon Curfman and Chris Thomas King. 

In 1999 he performed for then First Lady Hillary Rodham Clinton at Willie Dixon’s Blues Heaven

Foundation at Chess Studios in Chicago with special guests Bo Diddley, KoKo Taylor and Lonnie

Brooks while Rock & Roll Hall of Famer Chuck Berry looked on. In 2005, he got top billing on the live broadcast of WXRT’s “Chicago Blues Fest Brunch” at Legends during which he was given the “rare

Buddy Guy seal of approval,’’ host Tom Marker noted. Wayne performed at the 2003 MLB All Star

Game and also appeared in “The Express’’ and “Blues Brothers 2000.’’ He is a co-author of Blues

for Dummies with his father and Cub Koda — a book former President Bill Clinton said he “

absolutely loved.’’



      Click for the Brooks Family Dynasty website     


Sunday 8/5/2012


SECOND STAGE Gates open at 11:30 a.m.



James Day & the Fish Fry -

"James Day is a vocalist and harmonica player backed by a stellar group of musicians collectively know as "The Fish Fry" This is your full service "Jump Blues and New Orleans Grooves" band. Based in the Mid Atlantic, James Day and the Fish Fry perform at festivals and venues in Canada and along the East Coast. On any given night, one can hear all styles of the blues from New Orleans street parades, Cuban Rumbas, Swamp Pop, Zydeco, Carolina Shag, Down Home Delta Blues to that Classic Chicago sound. Their CD’s are played on satellite radio, roots music stations and overseas radio.


With James Day and the Fish Fry, a brew of influences will come together in the form of backbeat drumming, slapping upright bass, fat tone guitar, and honking harmonica. If you want to dance, or just soak up some old school blues then make it out for some turbo charged jump blues and you’ll have one wild swinging house party."–Freddy Celis, Rootstime Magazine, Brussels Belguim


Click Picture above left for the James Day website



 Nothin' But Trouble--

CD NUMBER 3 IS IN THE WORKS!! The Return Of The Son Of The Album's Revenge has begun and the guys have laid down the basic tracks on 7 songs so far with many more to follow. All new material penned by each of the members, giving the followers the guitar-driven, full-harmony sound that is the trademark of an NBT live show. Be prepared to dance, or at least receive a ticket if you're listening to it in the car. *(Note: Nothin' But Trouble takes no responsibility for, nor encourages the injudicious use of the gas pedal of any of our fans, but hey, it's gonna do what it's gonna do.)


   Click Picture above for Nothin' But Trouble website



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